They say I’m insane. It’s alright, you can nod. Because it’s true. I am insane.
“But life being what is, a series of intercepting lives and incidents, out of anyone’s control, that taxi did not go by, and the driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.”
The crowded urban streets filled with noisy denizens and an oppressive rain that always seems to fall without respite were integral parts of Se7en, as Fincher wanted to show a city that was “dirty, violent, polluted, often depressing. Visually and stylistically, that’s how we wanted to portray this world. Everything needed to be as authentic and raw as possible.” To this end, Fincher turned to production designer Arthur Max to create a dismal world that often eerily mirrors its inhabitants. “We created a setting that reflects the moral decay of the people in it”, says Max. “Everything is falling apart, and nothing is working properly.” The film’s brooding, dark look was achieved through a chemical process called bleach bypass, wherein the silver in the film stock was not removed, which in turn deepened the dark, shadowy images in the film and increased its overall tonal quality (x).